SELECTED BIBLIOGRAPHY

bar

 

Andrews, Peter. The Rulers of Russia. Chicago: Stonehenge Press, 1983.

Art Treasures in Russia. New York: The Hamlyn Publishing Company, 1970.

The Avant-Garde in Russia, 1910-1930: New Perspectives. Exhibition Catalogue. Los Angeles: Los Angeles County Museum of Art, 1980.

Barlamova E. N. Portret v russkoi zhivopisi XVIII-XIX vekov (32 otkrytki). Moskva: Izobrazitel'noe iskusstvo, 1988.

Bayley, James and Ivanova, Tatiana. An Anthology of Russian Folk Epics. New York: M.E. Sharpe, 1999.

Bigham, Steven. Image of God the Father in Orthodox Theology and Iconography. Crestwood, New York: St. Vladimir Seminary Press, 1995.

Bird, Alan. A History of Russian Painting. Boston: G.K. Hall and Co., 1987.

Bobrov, I. G. Istoriia restavracii drevnerusskoi zhivopisi. Leningrad: Khudozhnik RSFSR, 1987.

Borzello, Frances. A World of Our Own: Women as Artists since the Renaissance. New York: Watson-Guptill Publications, 2000.

Bowlt, John E. Russian Art of the Avant-Garde: Theory and Criticism. New York: Thames and Hudson, 1988.

Bowlt, John E. The Silver Age: Russian Art of the Early Twentieth Century and the "World of Art" Group. Newtonville, Massachusetts: Oriental Research Partners, 1982.

Bulkin, Valentin, editor. Dionysius: Masters of World Painting. Leningrad: Aurora Art Publishers, 1982.

Butromeev, V. Illustrirovannaia Enciklopedicheskaia Biblioteka: Iskusstvo Rossii. Moskva: Sovremennik, 1997.

Cavarnos, Constantine. Guide to Byzantine Iconography, vol. 1. Boston, Massachusetts: Holy Transfiguration Monastery, 1991.

Chagall Discovered: From Russian and Private Collections. New York: Hugh Lauter Levin Associates, Inc., 1988.

Chipp, Herschel B. Theories of Modern Art: A Source Book by Artists and Critics. Berkeley, Los ANgeles and London: University of California Press, 1968.

Creston, Dormer. Fountains of Youth: The Life of Marie Bashkirtseff. New York, E. P. Dutton and Company, Inc. 1937.

Duechting, Hajo. Wassily Kandinsky 1866-1944: A Revolution in Painting. New York: Barnes and Noble Books, 1996.

Erben, Walter. Marc Chagall. London: Thames and Hudson, 1957.

Faerna, Jose Maria, gen. ed. Great Modern Masters: Chagall. New York: Harry N. Abrams, Inc. (Cameo/Abrams), 1995.

Fateev, V. Portraits of Prominent Figures in Russian Culture: 18th to 20th Century Painting (16 otkrytok). Leningrad: Aurora Art Publishers, 1987.

Fedorov-Davydov, A. A. Mikhail Aleksandrovich Vrubel'. Moskva: Iskusstvo, 1968.

Figes, Orlando. Natasha's Dance. New York: Metropolitan Books, 2002.

Gogol, Nikolai Vasilevich. "'The Last Day of Pompei' (Briullov's Painting)." Russian Visual Arts

Gray, Camilla. The Russian Experiment in Art 1863-1922. Revised and enlarged by Marian Burleigh-Motley. London: Thames and Hudson, 1986.

Grierson, Roderick, editor. Gates of Mystery—The Art of Holy Russia.

Hamilton, George Heard. The Art and Architecture of Russia. New Haven: Yale University Press, 1983.

Heller, Nancy G. Women Artists: An Illustrated History. New York: Abbeville Press Publishers, 1987.

Ivanov, Vladimir. Russian Icons. New York: Rizzoli, 1988.

Jackson, David. “Western Art and Russian Ethics: Repin in Paris, 1873-76.”. Russian Review, Vol. 57, No. 3 (1998).

Kalokyris, Constantine D. The Essence of Orthodox Iconography. Brookline, Massachusetts: Holy Cross Orthodox Press, n.d.

Kernberger, Phyllis Howard and Kernberger, Katherine. I Am The Most Interesting Book Of All: The Diary of Marie Bashkirtseff, vol. 1, San Francisco: Chronicle Books, 1997.

Klimov, E.E. Russkie khudozhniki: Sbornik statei. New York: Knigoizdatel'stvo Put' Zhizni, 1974.

Kozlova, Yulia. Masterpieces of the Tretiakov Gallery. TVS Trading, Inc. and the Tretiakov Gallery, 1994, no place.

Lazarev, Viktor N. The Russian Icon: From Its Origins to the Sixteenth Century. Collegeville: The Liturgical Press, 1996.

Lebedev, Andrei, compiler. The Itinerants: Society for Circulating Art Exhibitions [1870-1923]. London and Sydney: Pan Books and Leningrad: Aurora Art Publishers, 1982.

Lord, Louis. "A Russian Painter of the Nineteenth Century Eliyas Repin." The Art Bulletin, 2/4.

"Marie Bashkirtseff: A Homage.” Http://www.geocities.com/mbashkirtseff/01_english3.htm

Massie, Suzanne. Land of the Firebird: The Beauty of Old Russia. New York: Simon and Schuster, 1980.

Miliukov, Paul. Outlines of Russian Culture: Part III: Architecture, Painting and Music. Philadelphia: Univesity of Pennsylvania Ptress, 1943.

Misler, Nikoletta, Boult, Dzhon. Filonov: Analiticheskoe iskusstvo. Moskva: Sovetskii Khudozhnik, 1990.

Moscow: Treasures and Traditions. Washington D.C.: Smithsonian Institution Traveling Exhibition Service, 1990.

Myers, Bernard S. Art and Civilization. New York: McGraw-Hill Book Company, 1967.

Newmarch, Rosa. The Russian Arts. New York: E.P. Dutton and Company, 1916.

Nouwen, Henri J. M. Behold the Beauty of the Lord: Praying with Icons. Notre Dame, Indiana: Ave Maria Press, 1987.

Onasch, Konrad. Icons. South Brunswick and New York: A.S. Barnes and Company, 1963.

O'Neill, Bekah. The Life and Works of Kandinsky: A Compilation of Works from the Bridgeman Library. New York: Shooting Star Press, 1995.

Ouspensky, Leonid. Theology of the Icon, vol. 1-2. Crestwood, New York: St. Vladimir's Seminary Press, 1992.

Ouspensky, Leonid and Lossky, Vladimir. The Meaning of Icons. Crestwood, New York: St. Vladimir's Seminary Press, 1983.

Parker, Fan and Stephen Jan. Russia on Canvas: Ilya Repin. University Park and London: The Pennsylvania State University Press, 1980.

Parshin, S.M. Mir Iskusstva. Moskva: Izobrazitel'noe Iskusstvo, 1993.

Petrova, Yevgenia, editor. The Russian Museum: A Centennial Celebration of a National Treasure. St. Petersburg: State Russian Museum (Palace Editions), 1998.

Prokhorov, A.M., editor. The Great Soviet Encyclopedia. New York: Macmillan Inc., 1970.

Rice, David and Tamara Talbot. Icons and Their History. New York: The Overlook Press, 1974.

Rice, Tamara Talbot. A Concise History of Russian Art. New York: Frederick A. Praeger, 1963.

Rice, Tamara Talbot. “Some Reflections on Nineteenth-Century Russian Painting.” The Burlington Magazine, 101/671 (1959).

Robey, Judith. "Modeling the Reading Act: Gogol's Mute Scene and Its Intertexts." Slavic Review, 56/2 (1997).

Rubissaw, Helen. The Art of Russia. New York: The Philosophical Library, 1946.

Rudenstine, Angelica Zander. Russian Avant-Garde Art: The George Costakis Collection. New York: Harry N. Abrams, Inc., 1981.

RussianPaintings. "Briullov." http://www.russianpaintings.net.

Sarab'ianov, A. D. Neizvestnyi russkii avant-gard v muzeiakh i chastnykh sobraniiakh. Moskva: Sovetskii khudozhnik, 1992.

Sokolova, Natalya. Selected Works of Russian Art. Leningrad: Aurora Art Publishers, 1976.

Treasures from the Kremlin: An Exhibition from the State Museums of the Moscow Kremlin, New York: The Metropolitan Museum of Art (distributed by Harry N. Abrams), 1979.

Treasures of the Czars from the State Museums of the Moscow Kremlin. London: Booth-Clibborn Editions, 1995.

Turner, Jane, editor. The Dictionary of Art. New York: Macmillan Publishers Limited, 1996.

Valkenier, Elizabeth. Russian Realist Art. The State and Society: The Peredvizhniki and Their Tradition. Ann Arbor: Ardis, 1977.

Vzdornov, G. I., editor. Troica Andreia Rubleva: Antologiia. Moscow: Iskusstvo, 1989.

Watercolors: The Tretyakov Gallery. Leningrad: Aurora Art Publishers, 1974.

Weisberg, Gabriel P. Overcoming All Obstacles: The Women of the Academie Julian. New York: The Dahesh Museum, 1999.

Weitzmann, Kurt. The Icon. London: Evans Brothers, 1982.

Weitzmann, Kurt, editor. The Icon. New York: Alfred A. Knopf, 1982.

Weitzmann, Kurt. The Icon: Holy Images--Sixth to Fourteenth Century. New York: George Braziller, 1978.

Yablonskaia, M.N. Women Artists of Russia's New Age, 1905-1935. New York: Rizzoli International Publications, Inc., 1990.

Yamshchikov, Savely, editor. Pskov: Art Treasures and Architectual Monuments 12th-17th centuries. Leningrad: Aurora Art Publishers, 1978.

Zotov, A.I. Russkoe iskusstvo s drevnikh vremen do nachala XX veka. Moskva: Iskusstvo, 1979. 

bar 

© Alexander Boguslawski 1998-2005
(Home)