ENGLISH 201

MAJOR ENGLISH WRITINGS I

Steve Phelan  - Spring 2008

 Revised 4/17/08

 

 

WEEK

DATE

READING ASSIGNMENTS

(subject to adjustments made in class)

LITERARY ANALYSIS

 

 

 

 

 

 

THE ANGLO-SAXON PERIOD

 

 

 

600 – 1100

 

 

 

 

 

1

Jan. 15

An Introduction to Anglo-Saxon Culture (read Norton’s introduction, pp. 1-21) “The Wife’s Lament”

 

 

 

The Sutton Hoo Ship Burial – slides

 

 

 Jan. 17

Caedmon’s “Hymn of Creation” and “The Wanderer”

 

 

 

 

 

2

Jan. 22

BEOWULF: lines 1-1650

STRUCTURES

 

Jan. 24

Rest of BEOWULF

 

 

 

 

 

3

Jan. 29

workshop on plot structure

***

Focus Paper 1

 

 

 

 

 

 

THE MIDDLE ENGLISH PERIOD

also called The Late Middle Ages

 

 

1100 – 1500

 

 

 

 

 

 

Jan. 31

SIR GAWAIN AND THE GREEN KNIGHT (part I: 1-490)

SETTINGS

 

 

 

 

4

Feb. 5

Rest of  SGGK

SYMBOLS

 

 Feb. 7

Workshop on structures of opposition using evidence of either setting or symbolism

***

Focus Paper 2

 

 

 An Introduction to Middle English (review pp 14-19)

 

 

 

 

 

5

Feb. 12

Chaucer’s General Prologue to the CANTERBURY TALES

CHARACTER

 

 

Be prepared to read one of the portraits and talk about Chaucer’s technique(s) of characterization

 

 

 F. 14

Rest of the characters and Chaucer’s Plan for the whole

 

 

 

 

 

6

Feb. 19

The Miller’s Tale

 

 

F. 21

The Wife of Bath’s Prologue and Tale

POINT OF VIEW

 

 

 

 

7

Feb. 26

The Pardoner’s Prologue and Tale

 

 

Feb. 28

Workshop on Chaucer’s tricks between tellers and tales

***

Focus Paper 3

 

 

 

 

 

 

THE ENGLISH RENAISSANCE

 

 

 

1500 – 1660

 

8

Mar. 4

Introduction to Humanism and  the Renaissance

THEME

 

 

Review for midterm examination

 

 

Mar. 6

MIDTERM EXAMINATION – five identifications leading to an essay (three options)

 

 

 

 

 

 

 11-13

 SPRING BREAK

 

 

 

 

 

9

Mar. 18

More’s UTOPIA: Bk. I– identify England’s problems

HISTORY OF IDEAS

 

Mar. 20

Read UTOPIA, Bk. II with a focus on some important social concept (relating to your paper topic?)

***

report to class

 

 

 

 

10

Mar. 25

More reports

Focus Paper 4

 

 

 

 

 

Mar. 27

Introduction to the lyric – from Sappho to Surrey

PROSODY

 

 

 

 

11

Apr. 1

John Donne’s SONGS AND SONNETS

 

 

 Apr. 3

More Donne love poems

 

 

 

 

 

12

Apr. 8

Bring one poem fully scanned and marked for changes inà

***TONE

Focus Paper 5

 

 

 

 

 

 A. 10

THE TRAGICAL HISTORY OF DR. Fox Day – Marlowe

GENRE

 

 

 

 

13

Apr. 15

Intro to Milton

 

 

A. 17 

Milton’s PARADISE LOST, Books I and II

 

 

 

 

 

14

Apr. 22

PL: Book VIII

 

 

 A. 24

PL: Book IX & review for final exam

 

 15

 Apr. 29

 Focus Paper #6 Due in Carnegie 103: No class

{Optional IF you’ve already done five papers}

 

 

May 1

Final Exam: 11:00-1:00 (extended time available for all)

 

 

Thurs.

 

 

 

 

 

 

 

 

 

 

THE SEMINAR FORMAT and THE FOCUS PAPERS:

 

Students should come prepared to talk about the text, following the techniques of literary analysis which have informed their reading and interpretation of it. Discussion with each text will cover all these techniques, but for the sake of instruction, you will be asked to present a worksheet of data respecting a particular technique of analysis for each major text and a focus paper presenting a thesis of your own based on that evidence.

 

The capitalized terms in the last column of the syllabus indicate the kind of analysis to be done and the date when they will be discussed. The worksheets and focus paper are due on the date where the triple asterisks appear, but you should be constructing them from the beginning of each assignment (see my web site--cited below-- for descriptions of these Techniques of Literary Analysis). Gather the evidence from the text first and then write a two-page argument presenting your conclusions based on the evidence and your interpretation of the text as a whole. Your responses do not have to be appreciative or approving, but may indeed provide a spoof of the historical text from your own contemporary perspective. 

 

 

GRADE FORMULA:

Participation and attendance = 20%

Workshop responses including the five focus papers = 50%

Midterm and final = 10% and 20% respectively

 

 

Credit in the course requires satisfactory completion of all three parts of the grade formula.

 

ATTENDANCE:

Less than 90% attendance is grounds for failure. Please negotiate with me as soon as you accumulate anything more that three absences.

 

CONFERENCES AND INFORMATION:

Please visit me at my spacious office in Carnegie 103. For my office hours and class schedule, consult my web site (http://web.rollins.edu/~phelan). Make appointments after class or by phone (x2409) or through email (sphelan@rollins.edu). On my web site, in addition to this syllabus, you may find a wealth of information about the basic concepts of my courses, my own critical perspectives, and my criteria for grading papers. Just click on COURSES, then CONCEPTS (at the bottom of the table).