Whitman and His Counterparts
English 460: Major Author
Fall 2004
Course Description:
Walt Whitman’s Leaves of
Grass sets the groundwork for American poetry, photography, and art for the
next 150 years. We will study closely the major poems of Whitman’s early career
and follow that with attention to recent poets such as Allen Ginsberg,
Lawrence Ferlinghetti, Gary Snyder,
Mary Oliver, and A. R. Ammons.
Goals of the Course:
1) to focus on a major American author and his influence on
American culture
2) to watch that influence interact with the developments of
20th-century art and poetry
3) to learn how to do a graduate-level paper and publish a
topical anthology
4) to discover some new literary friends (in the course and
the class).
The Path of the Course:
As Ammons would have it, a
poem is a walk, a going out and a return. This course goes out for seven weeks
from the major poems and prose writings of Whitman to the critical and biographical
appraisals of his work. Each student will identify a topic, idea, technique, or
issue in Whitman to form the focus of a paper on the author.
In the second half of the
course, we make our return by looking closely at the poetry of five other poets
in the syllabus (others as well in research). Each student will gather a set of
later poems to form a short anthology of works that parallel the major poems
and prose of Whitman and play out new variations on the topic of the original
paper. This creative enterprise will take the form of a small book which
illustrates and includes the paper (now revised).
An indispensable element of
this major, term-long project will be the research teamwork of the course. We
will keep track of everyone’s topic and interest, passing suggestions and
findings by email, through note cards distributed in class, or in class
discussion. You will be given credit not only for what your research produces
for your project, but how it helps others.
Course Requirements and Grade
Formula:
Ø
paper on Whitman -- DUE
WEEK 7: 25%
Ø
anthology of Whitman and
his counterparts-- DUE WEEK 15: 40%
Ø
participation:
attendance, class discussion, report(s), helping others with their topics,
etc.: 25%
Ø
final examination: 10%
Steve Phelan,
Professor of English, Orlando Hall 109 (ph: -2409) Email:
phelan@rollins.edu --- Campus Mail: 2662 Website:
http://fox.rollins.edu/~phelan |
Week |
Date |
Reading Assignments and Classroom Activities |
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1) |
Aug. 23 |
Introduction to the course:
goals, schedule, requirements, and how to read “Song of Myself” |
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2) |
Aug. 30 |
“Song of Myself” and “There
Was a Child Went Forth” |
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3) |
Sept. 6 |
laborless: day and night:
read ahead and decide on your topic |
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4) |
Sept. 13 |
“Out of the Cradle
Endlessly Rocking,” “The Noiseless Patient Spider,” “Crossing Brooklyn Ferry,” “Sleepers,” “I Sing the Body
Electric,” “When Lilacs Last in the Dooryard Bloomed” |
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5) |
S. 20 |
Democratic Vistas
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Selections from Specimen
Days |
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6) |
S. 27 |
Preface to the First
Edition, 1855 |
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Biographies and Critical
studies |
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7) |
Oct. 4 |
Paper Due: identifying your
own interest and defining a major thrust of Whitman’s creative impulse |
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Ginsberg: “Howl” (to be
read in class) |
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8) |
O. 11 |
Lawrence Ferlinghetti: Coney
Island of the Mind (cd jazz reading) How to Paint Sunlight (more recent book of poems
and paintings) |
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9) |
O. 18 |
Gary Snyder: Turtle
Island |
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10) |
O. 25 |
reports on other poets |
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11) |
Nov. 1 |
A. R. Ammons: Selected
Poems, Expanded Ed. |
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12) |
Nov. 8 |
reports on other poets |
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13) |
N. 15 |
Mary Oliver: New and
Selected Poems |
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14) |
N. 22 |
workshop on final anthology |
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15) |
N. 29 |
Anthology including revised
paper Due |
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16) |
Dec. 6 |
Final Exam |
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