The Four Modes
of
Literary Theory
Name |
Definition |
|
|
Mimetic Criticism |
The literary work is an
imitation of the world and the actions of its inhabitants. The primary
interest is in authenticity and realism, even though there is allowance for
fiction and imagination in the play, performance, or text. |
Pragmatic Criticism |
The literary work is a
construction that seeks to produce certain effects on its audience (pleasure,
fear, moral responsibility…) and the critic judges in terms of the
fulfillment of the work’s promise. |
Expressive Criticism |
The literary work is primarily
seen as the creation of its author, the fine representation of the
imagination, genius, psychological or psychoanalytical forces of the author. |
Objective Criticism |
The literary work stands free
from the author, the audience, or the world. The critic relies entirely on
the text itself to find the criteria by which to comprehend and judge the
work. |