The portrait of Anastasiia Mikhailovna Izmailova, the lady-in-waiting at the court of the Empress Elizabeth Petrovna, daughter of Peter the Great, shows several characteristic features common in Antropov's works: a simple composition, emphasis placed on the character's facial expression, and a particular interest in decorative details of the subject's attire. Lady Anastasiia is presented in a simple yet sophisticated manner. Antropov uses color to tie together various sections of his composition. The pink cheeks, the pale red ribbon tied around the woman's neck and hair, as well as the pinkish tone of the fabric flower create a rhythmic pattern. The face of Izmailova is serious, but not somber; one may even detect an intimation of a smile. The brightness of the complexion brings the face of Izmailova to the front and allows the viewer to notice the aristocratic features, stately demeanor, and inherent intelligence of the sitter. Besides his straight-forwardness in portraying the character of his sitters, Antropov took great pride in the detailed representation of fabrics and jewelry. In the portrait of Izmailova, his skill is evident in the ornate depiction of the large brooch on the chest of the Lady of Honor. This broach is painted so well that the observer can almost imagine the diamonds glistening in the light. It is interesting to note that a similar brooch seems to be worn by M. Rumiantseva, in another painting by Antropov. Both brooches feature an enameled medallion in the middle of diamond-studded jewel. It is difficult to determine who is portrayed on the medallion; perhaps it is a portrait of Catherine I, in whose name the order of St. Catherine, given to ladies-in-waiting, was introduced in 1714. Perhaps such a brooch was worn on less auspicious occasions instead of the official order (the order featured an enamel with a picture of St. Catherine, the martyr). Besides the brooch, Antropov devotes a considerable time to the representation of several kinds of fabric; the pink silk blouse with a beautiful silk rose and the rich blue-green shimmering dress and the bow under the brooch. Finally, the black lace collar housing the pale red ribbon frames Izmailova's face; contrasting colors add even more impact to the head and bust areas of the model. All the fabrics are painted with great skill, proving Antropov's excellent technique and his fascination with ornamental details. This rare ability to balance elegant simplicity with intricate detail sets Antropov's work apart from many other, less talented, artists of the eighteent century. [F.S.]