Vermont, town common. | ||||||||||||||||||||||||||||||||||||
History | "The land was ours, before we were the lands." The Gift Outright by Robert Frost |
|||||||||||||||||||||||||||||||||||
Reisner |
Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson |
|||||||||||||||||||||||||||||||||||
Emerson |
Landscape as an artistic subject In enumerating the values of nature and casting up their sum, I shall use the word in both senses; -- in its common and in its philosophical import. In inquiries so general as our present one, the inaccuracy is not material; no confusion of thought will occur. Nature, in the common sense, refers to essences unchanged by man; space, the air, the river, the leaf. Art is applied to the mixture of his will with the same things, as in a house, a canal, a statue, a picture. But his operations taken together are so insignificant , a little chipping, baking, patching, and washing, that in an impression so grand as that of the world on the human mind, they do not vary the result. Emerson, NATURE, 1830. Since Plato we have believed that civilization, by transforming landscape is completing a second nature within God’s original creation and retrieving paradise from its loss humanity’s fall on account of original sin in the Garden of Eden. Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson |
|||||||||||||||||||||||||||||||||||
Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson |
||||||||||||||||||||||||||||||||||||
Geographical regeneration was the call to restore the disturbed harmonies produced by settlement, industrialization, mining, deforestation and soil erosion. Nature versus Civilization 1782-1854 Revolutionary War to the Mexican War and the civil war in Kansas. Capitalist economy emerged after the War of 1812-1814 Deterioration of the watershed, vanishing wildlife & fisheries, and deforestation was “apparent to eastern elites.” “Artists, poets, novelists, essayists, travelers, and explorers’ . . . responses reveal ambivalent feelings about the benefits of ‘civilization’ and those of ‘nature.’ “ The commercial economy: Boom of war and bust of 1819 Technological transformation
Indian Removal after the S. Appalachian gold rush (Cherokee) Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau
Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson Landscape took on an emerging character not before seen in the Americas:
Birth of a national literature "Thanatopsis" 1817
A Forest Hymn
"And suns grow meek, and the meek suns grow brief, and the year smiles as it draws near its death." William Cullen Bryant, 1794 - 1878. By 1840, Bryant had largely abandoned poetry to become one of the country's leading advocates for abolition. From 1856 on, the Evening Post was a Republican paper, supporting the arming of abolitionist settlers in Kansas, deriding the Dred Scott decision, and celebrating John Brown as a martyr.
John James Audubon “the luxuriant trees. The balmy air…” of Indian Key James Fennimore Cooper. Leatherstocking, Natty Bumppo “It’s much better to kill only such as you want, without wasting your powder and lead, than to be firing into God’s creatures in such a wicked manner.” p. 177. Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson George Catlin, 1841. "The very use of the word savage, as it is applied in its general sense, I am inclined ot believe is an abuse of the word, and the people to whom it is applied." "I am fully convinced , from long familiarity with these people, that the Indians misfortune has consisted chiefly in our ignorance of their true native character and disposition, which has always held us at a distrustful distance from them...a hostile foe." George Catlin, 1844. p. 182. http://americanart.si.edu/catlin/highlights.html He argued that there needed to be a place reserved inits batural state for "Wild beasts and wild men," making George Catlin the author of the idea of the national park in American tradition. Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson Emerson, Nature, 1844. The over soul “man is a stream, whose source is hidden." “Meantime within man is the soul of the whole; the wise silence; the universal beauty, to which every part and particle is equally related; the eternal ONE.” “We see the world piece by piece, as the sun, the moon, the animal, the tree; but the whole, of which these are the shining parts, is the soul . . .” "It is not wise but sees through all things,’ "A chief event of life is the day in which we have encountered a mind that startled us." Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson Henry David Thoreau, teacher and philosophical iconoclast.
Walden – 1854. Merchant, pp. 166-186. Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau | Lesson |
||||||||||||||||||||||||||||||||||||
readings |
When we speak of nature in this manner, we have a distinct but most poetical sense in the mind. We mean the integrity of impression made by manifold natural objects. It is this which distinguishes the stick of timber of the wood-cutter, from the tree of the poet. The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title. Emerson, Nature, 1836, essay. http://www.vcu.edu/engweb/transcendentalism/authors/emerson/nature.html Landscape as artifact | The land | The economy | Model | literature | Catlin | Emerson | Thoreau |
|||||||||||||||||||||||||||||||||||